Untold riches await those who manage to get their book listed ‘perma-free’ on Amazon. But how does anyone find out?
There are men who can run as fast as gazelles and women who can dive to great depths holding their breath for up to twenty minutes. But one man from Bolton could defy gravity.
I read news articles about AI threatening humanity and how we’ll all be eaten by robots and I scoff. I wasn’t not scoffing when that same AI came along and took a bite out of my arse.
I’m going to sound like an egomaniac by explaining another bout of absence, not just here but in other places on the web. I always think it sounds a bit weird when an unknown blogger apologises for not blogging, as if the internet has been holding its breath, but I can see where these people are coming from.
Happy Christmas and all that. Continue reading
Most self-published authors will have encountered Smashwords’ notorious ‘meatgrinder,’ and few of them survive unscathed.
They know what I’m talking about, but for those of you who haven’t come across this Gilliamesque monster, it’s the automated system Smashwords uses to convert uploaded files into various ebook formats.
And it doesn’t work.
Take a look at the book cover on the left. It’s the cover of Who Among Us… the third book of the TotenUniverse. It’s been on the Smashwords site since 2015 and we’ll come back to it in a moment.
The cover on the right is the new cover to Who Among Us… and part of a newly edited version of the book. All the books in the TotenUniverse have been given a makeover, with new interior content. It’s all on Amazon now, available in Kindle format and over the weekend I started to upload the new versions to…
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Imminent special edition of the Herbet West series by Audrey Driscoll…
So many books…
You know how it is — you read an ebook, think it’s pretty good, wonder if there’s a sequel. In a day or two, other books and life in general overlay the memory. Weeks later, something reminds you of that book. Now, what was the title? The author? You try to find it in your e-reader and your computer. So many books… You pick one that looks interesting and start reading, the book you were looking for forgotten.
This shouldn’t happen to readers of the Herbert West Series, because now they have the option to acquire all four novels at once — the complete series.
I started writing the first book on November 7th, 2000. November 7th, 2016 is Herbert West’s 130th birthday. In honour of the occasion, I have published a “box set” of all four novels, with a bonus — Chapter 1 of the…
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Why does a rubber rub out pencil?
People are so nasty and horrible these days that if you ask a perfectly reasonable question they’ll say, ‘why don’t you google it, asshole.’ (It is possible to make these people look stupid by asking a rhetorical question…)
Back in the day, when I were a lad, I spotted a gap during a chemistry lesson, raised my hand and asked: “Why does a rubber rub out pencil?”
The class erupted in hysterics and I didn’t get a straight answer from the teacher. Later I asked my mate Paul Reid why everyone laughed. “Because only you would think of asking a question like that.”
Nearly four decades later I still don’t understand the physics of pencil erasers, so if anyone knows (serious answers only, no speculation) do leave a comment.
It’s not the only trivial bit of science that baffles me. Inkjet printers. We all take them for granted, hate them when they go wrong, and we know they’re designed to waste ink and therefore waste our money. But have you ever wondered how incredible they are from a technological point of view?
They can deposit a microscopic blob of ink anywhere on a sheet of paper no matter how big. This from a mechanical object. It’s not like a computer screen using algorithms and formulas to calculate which screen pixel to electrify. Printers have to move bits and pieces backwards and forwards, accurately, every time until the cyan cartridge runs out.
We don’t think about brilliance when the brilliance has become the everyday. What we take for granted seems simple, but it seldom is. Live events on television should astound you if you took a moment to think about what’s going on. All those tiny people running around a football pitch in Nice are not actors, it’s not a recording or a computer simulation, they really are there, thousands of miles away kicking a ball nanoseconds before you see it happen.
The technology, the speed of light broadcasting of an electronic signal is related to mobile phone technology. Take a look at that small oblong of plastic. Press the right button and some invisible connection is made to a mast somewhere, miles away. And the invisible connection travels through walls, through people’s heads, that passing bus is no obstacle. Everything between the phone and the mast is a conduit for the signal: electrons in the baby’s pram, the dog’s tail, the back fence, the cake display in Galloways, all vibrating and jumping to the next electron level to carry that mobile signal. No wonder everyone’s going mad with all the electromagnetic stimulation we’re bombarded with every day.
Hundred ton planes flying, thousand ton ships floating. It’s simple physics say the egg heads, but simple is still extraordinary.
I suppose if Aristotle had jumped out of his bath shouting eureka ten minutes earlier we might have had mobile phones forty years earlier and then I could have used mine to find out why rubbers rub out pencil. There’s nothing on the internet. Not even on google.
Back in September I reviewed Harry Whitewolf’s novel The Road to Purification, Hustlers Hassles and Hash. Author, poet and traveller, Whitewolf’s writing is a fusion of observation, fact and speculation. I asked Harry about his work, travelling, the number 11 and gn****.
One thing I don’t like is reading jokes. Gags on paper are never funny for me. Comedy literature is different, but reading ‘this fella went into a bar…’ never raises a smile.
But I’m going to ignore my own rule with this post because there’s no other way of telling you the zombie joke. And when I do tell it no one laughs.
Guides to foreign travel tend to fall into two camps: Rough Guide/Lonely Planet hipster real-life travel; and posh folk writing idyllic memoirs of unrealistically tranquil settings, sometimes accompanied by tame wildlife.
Harry Whitewolf’s odyssey falls into a camp of its own. An autobiographical miasma of reportage, history lessons and ‘what to avoid’ advice you’ll never read in a mainstream published book.
Ha! Fooled you. Clickbait, you see. It’s what the private sector is good at: discovering ever more devious ways of diverting you away from what you want to what it wants.
But I’m not here to bore you with pinko-commie anti-capitalist ranting. I want to examine more closely the often-heard assertion that the private sector does things better than the public sector.
I love the supernatural, I love the unexplained, the paranormal, a good mystery. In the early 1980s, the perfect magazine was published. Called The Unexplained, it was all about the unexplained.
It nearly scared me to death. Literally.
The adverts started to appear on telly and I was soon hounding my parents to buy it. I was at school at the time and someone else beat me to it. Another lad, Jeffrey Westwell, no stranger to the unexplained himself after turning up for school one day in a pair of inexplicably flared trousers, told me all about the first edition and a terrifying phenomenon called SHC: spontaneous human combustion.
When someone standing in a school corridor describes the human body going up in smoke it doesn’t have quite the same impact as seeing the after effects in print. The article had several pages of ugly black and white photographs of a solitary leg or the top half of a torso, surrounded by ash, the rest of the room virtually untouched.
At the time, the phenomenon was little understood. The surroundings unaffected by the heat, the burning apparently confined to the body and nothing else, baffled experts and with no obvious source of the fire the primary explanation was that the fire came from within, starting spontaneously. Hence the name.
Spontaneous combustion is not unknown. Haystacks, wood shavings, bales of paper, can heat up internally to immense temperatures and if the ignition temperature for that material is reached it spontaneously combusts. I’ve seen and felt a fire brick left inside a pile of tree bark mulch. After several hours the brick was too hot to handle without wearing gloves.
And spontaneous human combustion isn’t new, as anyone who has read Bleak House will know. Dickens, no stranger to the unexplained, created a seminal scene in which Mr Krook dies after spontaneously combusting.
It was a perfect storm. Grisly photos and a teenager already possessing a distaste for charred bodies. In 1975 following the IRA bombings in Guildford and Birmingham, the BBC helpfully displayed a police poster asking if witnesses could ‘identify this person.’ ‘This person’ being nothing more than a carbonised lump. I never forgot that image.
After reading the magazine, I lay in bed that night waiting for it to happen. Every twitch was the first stirring of the flame, every tingle round the ankle, every mild rumble of the stomach was the beginning of the inferno. I didn’t sleep for a week and got so worked up I had to sleep in a spare bed in my parents’ room.
I survived and life returned to normal until about two years later. We had moved house, my sister was married and one evening her husband bounded up the stairs with a question I hoped I’d never hear: “Chris, have you ever heard of spontaneous human combustion?” The anxiety began again.
But what exactly caused this bizarre form of death? There were two elements that had originally confused the experts: no apparent source of the fire (no bomb, no flame thrower, no anti-tank round, no exploding petrol tank. . . .); and the fire seemed to be contained to a very limited area (no burned furniture or walls, the only damage being to that immediate area where the body lay).
Experiments eventually concluded that the fuel was body fat and everything else fell into place when all the victims were considered as a group rather than viewed as individuals.
Many of the victims were elderly and living alone. Many of them were found close to an open fireplace or heater. The best explanation was that they caught fire from an exposed hem of clothing or a dropped cigarette end after they had fallen asleep. What happened next was rare, and by its rarity, exacerbated the explanations. Instead of going up in flames, the victim would lie burning, the fire fuelled by body fat which burns very slowly at high temperatures. They were in effect, cooked from the inside out. And because of the slow smouldering and internalised fuel source, there was little damage to the objects around them.
What these victims didn’t do was spontaneously combust.
Little comfort to me back in 1980, lying in bed shaking like a leaf, terrified of turning into a human candle. It ruined my birthday; the magazine was one of a number of gifts which included a 7 inch single of The Big Match theme tune, which to this day still reminds me of the torment.
And if you’re wondering why there are no images of spontaneous human combustion in this post, there are plenty on the internet if you want to search for them. But maybe leaving it to your imagination will be enough. It’s where the unexplained sometimes belongs, not in front of you in the real world.
The world does not need a five pound coin. It doesn’t need a commemorative silver guinea or a special three pound coin with the queen’s head on it.
What the world needs is a 99p coin. (If you’re reading this blog in some other economic zone substitute pounds and pence with your own currency.)
In a remarkable act of corporate conjuring, Apple has succeeded in making its head office disappear. This raises serious issues for CEO Tim Cook: has his chair disappeared too? Has Tim Cook disappeared?
Probably not because Apple have kicked up a fuss following the EU’s demands to pay back corporation tax owing to the Irish government who, in a twist of irony bordering on the pornographic, don’t want it.
A few weeks ago I came across a free copy of the Daily Star. For those higher mortals who don’t live in Britain, the Daily Star is a tabloid newspaper. Noted for its bums-and-boobs approach to journalism, the Daily Star makes the Sun look like the Encyclopedia Britannica.
It’s a throwback to an age when humans shared the earth with Neanderthals. In fact you might say the Daily Star came along forty thousand years too late. It’s original editor was a toothy Cockney called Derek Jameson, nicknamed Sid Yobbo by Private Eye. The Spirit of Yob lives on in the Daily Star; brief of sentence, limited in intelligence, it isn’t read by white van man, it’s read by the van.
They nip, bite, sting, burrow into the flesh, occupy our intestines and eat eyeballs. They spread diseases and those that don’t spread diseases carry the bacteria and viruses that do spread diseases.
In short, they are an unecessary evolutionary sick joke. They weren’t created by a Creator, they were created by the Creator’s morbid teenage son who had seen too many horror films.
It always tickles me when I read a blogger apologising for not blogging in a while. But then if they have hundreds of caring followers I can see why they would do that. I, on the other hand, struggle to get more than twenty readers per post and I know you lot won’t have missed me, but . . . I’m back. Sort of.
It all comes down to priorities. In my self-employed days I could write in the afternoons when the cafes were open, work in the mornings and evenings. But now I’m fully employed and because I can’t write at home there are limited public places I can go evenings and weekends. Given a choice between working on the fifth novel and blogging, the blog paid the price.
This interview should have been posted here back in May (possibly 2015!), but thanks to a lethal brew of inertia and pre-occupation with a new job and duff car salesmen – excuses, excuses, they’re all just feeble excuses – indie author Leo Robertson has been forced to wait for his place in the pantheon of The Opening Sentence interviewees.
However, this is a big ‘un. Well worth the wait. So sit down with whatever it is you sit down with to drink and hear Leo’s take on self-publishing, world literature and selling out.
There’s been quite a lot of spam recently in response to The Agent’s Cipher blog post, but that is now closed to comments, so those adverts for American football shirts will be coming your way soon.
Today, I received a very nice comment from a man called Xoy Chaopi, who might be Aztec, I’m not sure. Anyway, here’s my line by line response.
If you don’t like football, switch off now. This is a 100% footie post, with a difference. It’s not about football itself, but a television phenomenon that may outlast the pyramids.
Saturday nights in the 1970s had a certain pattern to it: The Generation Game, Starskie and Hutch, and the evening finished off in the smokey company of Parkinson. Sandwiched between Huggy Bear and Michael Parkinson being attacked by a puppet emu was Match of the Day.
In 2015 I took a walk around the estuary of the River Kent and nearly walked my feet off. Half way along the route, passing a farm with a load of fairground rides in storage, an idea came to me: a museum containing all the toys and games of my childhood.
A search of Ebay revealed a lot of these games and selling for a lot more than we paid for them at Christmas and birthdays in the 1970s. I made a list of some of the exhibits. It would be an interactive museum with visitors free to play the stuff on display:
One day in the 1970s, a new LP turned up in the house. A collection of songs by Burt Bacharach. One song in particular stood out: This Guy’s in Love With You. It wasn’t necessarily the song that connected, but its association with . . . witchcraft!
Every Sunday we’d go for a day trip and one of the places we’d visit was Pendle Hill, the gloomy presence hovering over the villages of Newchurch and Sabden and Roughlee, places associated with the Pendle witches and bursting with evocative historical atmosphere.
Once again I am being visited by kindly souls pleased to have the opportunity to interact with greatness such as I.
But there are times when I wonder about their motivations and grow a little suspicious, so forgive me if I come across a bit grumpy this time around.
Wander from the surfaced path of terrestrial television and you soon find your feet trudging through the quagmires of cable, satellite and freeview broadcasting. There are so many channels, and thanks to a quirk of the universe, twenty-four hours in the day.
To any right-thinking person there simply isn’t enough content to fill the millions of hours of vacant broadcasting space. Apart from the BBC, most channels make a valiant effort by filling the space with adverts, but look hard enough and you will find televisual gems. One of them is Wheeler Dealers.
Falco subbuteo, to all you thickos who don’t know yer birds, is the Latin name for the Hobby. And with that sentence we learn why a table-top football game entered the world with such an obscure name. It makes sense in hindsight.
At its peak of popularity, Subbuteo was more realistic than the real game. To the aficionado there wasn’t a single element of the game you couldn’t buy. And it all came in the distinctive green Subbuteo boxes. In any sports or toy shop, the Subbuteo section was a wonderland in waiting.
The news has been circling the world for a couple of weeks following the massive leak of 11 million documents from Panamanian law firm Mossack Fonseca.
The documents contained information we already knew, summed up best by Noel Cowerd in The Italian Job: ‘Camp Freddie, everybody in the world is bent.‘ Or, to put a little more accuracy on it, every member of the super-rich elite is bent.
There’s a Golden Age of television theme tunes, from the mid-sixties to the mid-seventies, a time when the programme and the opening music became one in a perfect marriage. The Persuaders is a stand out theme, along with Van Der Valk, but there’s one more worth mentioning: The Champions.
Written by Tony Hatch, who had a run of hit singles writing for Petula Clark, the theme tune for The Champions encapsulated the glamour, the mystique, the internationalism of the programme’s premise. Three supergifted investigators working for Geneva-based crime unit Nemesis.